Supplemental Document forComputational Design of Metallophone Contact Sounds
نویسندگان
چکیده
Accurate simulation is critical for sound design problems. Even a frequency error of a few percent can impact the perceived quality of the results. No matter how robust our optimization scheme, it can be doomed to failure if simulation results do not match real-world outcomes. Many fabrication algorithms in computer graphics rely on linear (referring to the shape function order) tetrahedral finite elements to predict the physical behavior of design instances (e.g., in Bickel et al. [2010]). However, such finite elements are well-known to be extremely inaccurate; worse yet, they do not approach the correct solution value even as the simulation discretization is refined [Hughes 2012]. In this paper we rely on 3rd and 4th order finite elements via COMSOL [2005]. COMSOL also performs online remeshing in order to guarantee solution quality. However, even in the presence of this remeshing scheme experimental evidence (Figure 1) shows that the results produced by our algorithm would not be possible without higherorder finite elements.
منابع مشابه
Computational design of metallophone contact sounds Citation
Metallophones such as glockenspiels produce sounds in response to contact. Building these instruments is a complicated process, limiting their shapes to well-understood designs such as bars. We automatically optimize the shape of arbitrary 2D and 3D objects through deformation and perforation to produce sounds when struck which match user-supplied frequency and amplitude spectra. This optimizat...
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